POST-STRUCTURALISTS

AND THE TEMPLE OF ARTIFACTS

by Linda Eisenstein

 Full Length Plays

Musicals

One Acts

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Theatre Music

 Farce

10 minutes

3 F/M + chanting chorus

any

Three poststructuralist critic-adventurers wreak havoc upon the Temple of Artifacts in this Indiana Jones parody of postmodern literary criticism.

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 EXCERPT

 

A Temple. Columns. One, two, three Grecian Urns. Center stage, a Book on a Pedestal. A heavenly pin-spot shines down on it.

From offstage, chanting as they enter, come the PRIESTHOOD OF NEW CRITICS, in splendid academic robes and cowls. ACOLYTES and NOVICES follow, hunched over, dragging dissertations, concordances, critical exigeses behind them attached to large chains wrapped around their chests, arms, and ankles.

PRIESTS

THE ONE WAY -- THE TRUE WAY!

THE MEANING -- THE THEME!

IMMUTABLE BEAUTY!

ITS ESSENCE PRISTINE!

ART IS ARTIFACT --

INTERPRETATION IS EXACT!

BEHOLD! BEHOLD!

AND READ AS YOU ARE TOLD!

ACOLYTES & NOVICES repeat each line after them, ad nauseum. A WOMAN among them is chanting unhappily. All move upstage to contemplate the Urns.

STANLEY FISH, ROLAND BARTHES, and GEORGES POULET enter stealthily, in pith helmets. They rather resemble the Three Stooges outfitted as Indiana Jones.

BARTHES

Dieu, I thought we'd never get past those guards.

FISH

What did you throw at them that managed to distract them?

BARTHES

"Gravity's Rainbow".

POULET

My God! Will you look at that!

ALL turn and see the Book on the Pedestal.

BARTHES

Incroyable! A classic artifact! (rummages through his knapsack) Where's my code book? Where's my dissection kit?

FISH

Roland, how many times have we gone over this. It's not in code. It's not even a thing. It's an event, one which we read in time. That it's currently in a material form is, well, a sort of trick.

POULET

I agree -- it's not a thing. That so-called "object" houses an alien consciousness -- and possibly a dangerous, contaminating one at that. I can hardly believe they don't keep it under glass. We'd better be careful when we approach it. Because once we crack it open, it'll start to change us. (begins to speak faster and faster) Change us without our even knowing it. I can already feel it seeping into my brain--

FISH

Geez, you're paranoid lately. Have you been hanging out with Wayne Booth again?

BARTHES

Here we are.(finds his kit and takes it out of his knapsack: scissors, Exacto-knife, razor, Elmer's Glue, microscope, multicolored filters, colored pens.) Time to dice and slice!

FISH

Hold the Vegematic, Roland. If you take it apart too soon, we won't be able to fully experience it -- much less count the quatrains or the gendered rhymes for Riffaterre. As for myself, I was rather hoping to experience some ambiguity.

(CONTINUES)

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