|
|
"An opera -- on a small scale -- that ranges from the whimsical to the surreal, taking in sex and violence and some dark satire along the way.... Best is The Touch of an Angel, a gothic tale about a couple who have imprisoned their adolescent daughter, keeping her free from human touch so that she will remain absolutely pure and thus become a saint. Eisenstein's long melodic lines have an obsessive, hothouse feel (you think of Gian-Carlo Menotti and Andrew Lloyd Webber), and Cruz's lyrics build suspense to a climax that is both inevitable and electric.... (In)The Man Who Stole a Smell ... Eisenstein is at her best, having fun with wonderfully lush love songs that tilt into self-parody." - The Plain Dealer "The music here and throughout is inspired work, often intoxicating. The score...is eclectic in the best sense of the word: it moves easily from new-age music to soft, fluid jazz to traditional Spanish songs full of lyrical thrills that ripple with each shift in emotion." - The Edition |
"The work goes from a mini-Menotti-like tragedy about a father's sexual obsession with his virginal young daughter to playful comedy where a grandmother returns to life as a cheerfully singing giant loaf of bread...
The majority of new operas are either stale wedding cake retreads of the 19th century or noisy avant garde headaches seemingly composed on a bandsaw. This one is neither. The music is warm, ingratiating, melodic and always adds cheerful service in telling the stories." - Scene
|
|
|
|
|
|
|
|
|